"Leticia Gómez-Tagle is an example of what a human being can achieve when she uses an indomitable, pure and organized spirit to reach her high objective."(Mexico, Publi-news al Margen 1989)

"An interpretation with great feeling, with a warm and beautiful sound."(Warsaw, Chopin Competition Tesa news: October 1990)

"After the first bars it was clear that one of the caracteristics of this concert would be her incredible touch."(Vienna, Der Neue Merker: September 1997)

"A wonderful night of concert with Leticia Gómez-Tagle. The Chopin Scherzi were performed with fire, large phrases, passion and feeling. Rarely one can listen to Chopin music in this incredible way. It was a night with an artist of great personality, excellent technique and musicality. It was a great moment!" (Vienna, Clubnachrichten, G. Hauer: 1997)

"...time and again the pianist astonished the listener with her uncommonly refined touch and enormous virtuosity. She played with sensitivity and passion. Her future shows great promise." (Vienna, Der Neue Merker, March 1998)

"...the pianist apparently has a particular affinity for the composers of French salon music, as displayed in her dance-like and compelling interpretation of the "Grand Polonaise brillante" of Chopin, as well as in the feeling she revealed in making tonal and atmospheric magic in Liszt’s jeux d’eau." (Austria, Tillysburg Bericht, 1998)

"It is not necessary to lose any word about the fascinating technique of the pianist. The exceptional interpretation consists in the harmonic union between this technique and the musical expression. She subordinates this technique in the most difficult passages, with lightness and without ever making it an end in itself. She demonstrated this in the Mozart sonata: sovereign, unaffected, rich in feeling but unsentimental, with intensity and poetry." (Vienna, Wiener Musikerinnen: February 1999)

"With the interpretation of her unbelievably demanding program, the artist has positioned herself in the front row of today’s pianists." (Vienna, Clubnachrichten: October 2000)

"When she plays Chopin, it melts away every prejudice against superficial "virtuos music": each phrase becomes a song of subtle personal expression." (Vienna, Bericht G. H.: February 2002)

"It was a demonstration of her complete control of the keys, for they seem to obey in a thousandth fraction of a second each demand of her quick fingers." (México, Homenaje a una nueva constelación: September 2003)

"The pianist plays the most difficult passages without effort...The 2. movement (Marche funébre, Chopin sonate n. 2) was seldom played with such poetic and expressiv Touch. And the Noblesse of Interpretation in Liszt "Rigoletto-Paraphrase" let without words all those who are not Liszt's "fans". " (Clubnachrichten, Wien 2003)

"I have listened Leticia Gómez-Tagle in different occassions: in Mallorca (Music Festival), in Vienna, in Paris, and I was always very impressed. I am happy that she performs here in Puebla, and I recommend everybody to go to her concert and not to loose such a high performance." (Fritz Graf, Revista Intermedio, Opiniones: March 2006, México)

"I want to congratulate Víctor Jiménez, the creator of Vienart, the first Concert Agency in México...My congratulations also to present an artist like Leticia Gómez-Tagle. It was finally time to have piano concerts of high level!" (Florencia Perezache, Revista Intermedio, Opiniones: March 2006, México)

"...Leticia Gómez-Tagle plays every note clearly in her presstisimo over the keys. Though  her joyfully spirit's playing, she surprises the listeners when she changes to meditativ and slower passages, and ties the audience much more to the music" (J. Ackermann, Kölnische Rundschau, Mai 2006, Germany)